Melissa Victoria is a former English teacher with over 15 years' experience in a variety of secondary school settings, including comprehensive and grammar schools. She provides English resources mainly for high-ability students studying for GCSE and A level (AQA).
Melissa Victoria has an MA in English from the University of Birmingham, UK.
Melissa Victoria is a former English teacher with over 15 years' experience in a variety of secondary school settings, including comprehensive and grammar schools. She provides English resources mainly for high-ability students studying for GCSE and A level (AQA).
Melissa Victoria has an MA in English from the University of Birmingham, UK.
A fully-adaptable PowerPoint which explores ‘The Farmer’s Bride’ in preparation for the AQA Literature Examination
The PowerPoint and accompanying teacher notes are aimed at high-level GCSE candidates aiming for grades 7, 8 & 9
The resource contains the following:
AQA Assessment objectives for the poetry anthology examination paper
Warm-up activity
A brief biography of Charlotte Mew
A link to an audio of a reading of the poem
A list of high-level terminology for this particular poem as required for higher grades
A pyramid of questions which moves from knowledge to evaluation as a way of stretching students’ thinking
A copy of the poem
A student sheet which can be printed off or projected onto the board to record ideas whilst working through questions
A short plenary
Followed by:
Teacher notes - two slides containing ideas for understanding the poem and its methods at a high level which you should likely read before the lesson as preparation for discussion and teaching. How much you ‘teacher-lead’ using these notes, or how much you use them to aid independent learning is up to you. Notes are not definitive, but offer good-grounding in understanding Mew’s use of method in the poem, with detail on structure and form as well as language in order to reach higher grades (e.g. Subversion of the pastoral, significance of the ending, use of irregular couplets, natural imagery etc…)
NEW: THREE PAGE LESSON PLAN ON HOW TO USE EACH SLIDE INCLUDING KEY QUESTIONS, LEARNING AND OUTCOMES
The lesson presumes that some previous learning has taken place on what language, form and structure mean, and that students have a good level of understanding of what questions they should ask of poems in order to explore them (e.g. when was it written? how might that influence language choices? is there a specific form? what relevance is the form? how is the poem’s narrative structured? Is there a clear structure? etc.)
Best wishes,
Englbee x
It’s hard work finding quality GCSE model writing answers for AQA English Language Paper 2, and even harder work writing them yourself, especially at a high level.
Here, you will find a high-level model answer: a leaflet to advise with a clear point-of-view. The topic is homework.
Pupils are asked to reflect on the significance of style and genre at the end as a self-reflection exercise.
Please note the preview shows only a section of the sheet.
Best wishes,
Englbee x
It’s hard work finding quality GCSE model writing answers for AQA English Language Paper 2, and even harder work writing them yourself, especially at a high level.
Here, you will find a high-level model answer: an essay to explain. The topic is homework.
Pupils are asked to reflect on the significance of style and genre at the end as a self-reflection exercise.
Please note the preview shows only a section of the sheet.
Best wishes,
Englbee x
A fully-adaptable PowerPoint for the opening of An Inspector Calls before the Inspector arrives aimed at higher-level groups.
Prior reading up until the stage-direction ‘We hear the sharp ring of a front door bell’ will need to have occurred before the PowerPoint is used.
The PowerPoint contains:
LOs followed by a slide outlining the four key themes in this section: Privilege, Class Struggle, Snobbery and Self-Serving Idealism. Foreshadowing and Dramatic Irony are also introduced and will need to be explored by the teacher.
A table in which students are asked to consider key character language and place the language under either Privilege, Class Struggle, Snobbery or Self-Serving Idealism. This can be done either as a cut-and-paste activity or on the computer as a drag and drop. The slide could be printing out and students could write answers in also if the two above options are not available
A completed slide of the above task for the teacher to talk through/take feedback etc.
Further discussion of Foreshadowing and Dramatic Irony
A table in which students explore key language from the opening act and decide whether it is an example of foreshadowing or dramatic irony. They then need to give an insightful comment as to what the device is demonstrating/why it is an example of such a device. There are two differentiated slides here. The harder one asks the students to identify who said the line before analysing it, and there are no hint questions. The other identifies the speaker and asks ‘Withholding of further information or contextual events the audience would have knowledge about?’ as a guide for students to explore which of the two devices the language is an example of
The next slide gives example ‘insightful comments’ which students can check against their own or add to during a class discussion / feedback.
The final slide is a reminder of their LOs and some questions to explore the skills they used in the lesson to analyse the play today.
Best wishes,
Englbee x
A fully-adaptable PowerPoint which explores ‘Love’s Philosophy’ in preparation for the AQA Literature Examination
The PowerPoint and accompanying teacher notes are aimed at high-level GCSE candidates aiming for grades 7, 8 & 9
The resource contains the following:
AQA Assessment objectives for the poetry anthology examination paper
A warm-up activity
A brief biography of Percy Bysshe Shelley
A link to an audio of a reading of the poem
A list of high-level terminology for this particular poem as required for higher grades
A pyramid of questions which moves from knowledge to evaluation as a way of stretching students’ thinking
A copy of the poem
A student sheet which can be printed off or projected onto the board to record ideas whilst working through questions
A short plenary
Followed by:
Teacher notes - a detailed slide containing ideas for understanding the poem and its methods at a high level which you should likely read before the lesson as preparation for discussion and teaching. How much you ‘teacher-lead’ using these notes, or how much you use them to aid independent learning is up to you. Notes are not definitive, but offer good-grounding in understanding Shelley’s use of method in the poem, with detail on structure and form as well as language in order to reach higher grades (e.g. Use of structure/argument, use of irregular couplets, plosive and sibilant sounds etc…)
NEW: THREE PAGE LESSON PLAN ON HOW TO USE EACH SLIDE INCLUDING KEY QUESTIONS, LEARNING AND OUTCOMES
The lesson presumes that some previous learning has taken place on what language, form and structure mean, and that students have a good level of understanding of what questions they should ask of poems in order to explore them (e.g. when was it written? how might that influence language choices? is there a specific form? what relevance is the form? how is the poem’s narrative structured? Is there a clear structure? etc.)
Best wishes,
Englbee x
A fully-adaptable PowerPoint which explores ‘Sonnet 29 'I think of thee…’ in preparation for the AQA Literature Examination
The PowerPoint and accompanying teacher notes are aimed at high-level GCSE candidates aiming for grades 7, 8 & 9
The resource contains the following:
AQA Assessment objectives for the poetry anthology examination paper
Warm-up activity
A brief biography of Elizabeth Barrett Browning
A link to an audio of a reading of the poem
A list of high-level terminology for this particular poem as required for higher grades
A pyramid of questions which moves from knowledge to evaluation as a way of stretching students’ thinking
A copy of the poem
A student sheet which can be printed off or projected onto the board to record ideas whilst working through questions
A short plenary
Followed by:
Teacher notes - three slides containing ideas for understanding the poem and its methods at a high level which you should likely read before the lesson as preparation for discussion and teaching. How much you ‘teacher-lead’ using these notes, or how much you use them to aid independent learning is up to you. Notes are not definitive, but offer good-grounding in understanding Barrett Browning’s use of method in the poem, with detail on structure and form as well as language in order to reach higher grades (e.g. use of the ‘abstract thought/empirical being’ structure; breaking of the Petrarchan sonnet form; use of extended metaphor/symbolism.
NEW: THREE PAGE LESSON PLAN ON HOW TO USE EACH SLIDE INCLUDING KEY QUESTIONS, LEARNING AND OUTCOMES
The lesson presumes that some previous learning has taken place on what language, form and structure mean, and that students have a good level of understanding of what questions they should ask of poems in order to explore them (e.g. when was it written? how might that influence language choices? is there a specific form? what relevance is the form? how is the poem’s narrative structured? Is there a clear structure? etc.)
Best wishes,
Englbee x
This is high-level revision sheet (PDF) of Carol Ann Duffy’s ‘Before You Were Mine’ for students aiming for grades 6- 9 in the new GCSE Literature Paper 2
The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method.
Ideas are written in a easy format rather than being too colour-heavy to aid key learning and memory
The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades.
There are suggested links to ‘Eden Rock’ and evaluative questions to consider in a potential essay conclusion.
The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory.
Please note the preview shows only a small section of the revision sheet.
Kind regards,
Englbee x
A fully-adaptable PowerPoint which explores the changes in Sheila and Eric from the start of the play for mid-high level GCSE groups.
Resource includes:
LOs and outcomes
A prompt slide to read pp.57-61 with focus question
A blank table to complete comparing language choices from Act 1 and Act 3
A completed table of ideas with a prompt question
A short sample response exploring the changes in Sheila and Eric, and their juxtaposition to Gerald in Act 3.
A plenary slide
Best wishes,
Englbee x
Literary Nonfiction writing exemplars for AQA English Language GCSE Paper 2 question 5.
The Bundle contains the following:
*A article to argue a point-of-view
*An essay to explain a point-of-view
*A leaflet to advise
*A letter to persuade
All exemplars are based around the theme of homework. These allows for easy cross-reference in order for students to see that a similar topic can be written about in varied ways in order to achieve differences in form and style.
The exemplars are for higher-level students, grades 6-9.
There is also an extra writing-to-persuade exemplar in the form of a speech on the topic of giving to charities.
Best wishes,
Englbee x
This is high-level revision sheet of Robert Browning’s ‘Porphyria’s Lover’ for students aiming for grades 6-9 in the new GCSE Literature Paper 2
The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method.
Ideas are written in a brief format rather than being too text/colour heavy to aid key learning and memory
The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades.
There are suggested links to ‘The Farmer’s Bride’ and evaluative questions to consider in a potential essay conclusion.
The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory.
Please note the preview shows only a small section of the revision sheet.
Kind regards,
Englbee x
A fully-adaptable PowerPoint which explores ‘Porphyria’s Lover’ in preparation for the AQA Literature Examination
The PowerPoint and accompanying teacher notes are aimed at high-level GCSE candidates aiming for grades 7, 8 & 9
The resource contains the following:
AQA Assessment objectives for the poetry anthology examination paper
Warm-up activity
A brief biography of Robert Browning
A link to an audio of a reading of the poem
A list of high-level terminology for this particular poem as required for higher grades
A pyramid of questions which moves from knowledge to evaluation as a way of stretching students’ thinking
A copy of the poem
A student sheet which can be printed off or projected onto the board to record ideas whilst working through questions
A short plenary
Followed by:
Teacher notes - three slides containing ideas for understanding the poem and its methods at a high level which you should likely read before the lesson as preparation for discussion and teaching. How much you ‘teacher-lead’ using these notes, or how much you use them to aid independent learning is up to you. Notes are not definitive, but offer good-grounding in understanding Browning’s use of method in the poem, with detail on structure and form as well as language in order to reach higher grades (e.g. Mirroring of structure/tableau, dramatic monologue, pathetic fallacy, caesura and enjambment, ambiguous language and moral questions etc…)
NEW: THREE PAGE LESSON PLAN ON HOW TO USE EACH SLIDE INCLUDING KEY QUESTIONS, LEARNING AND OUTCOMES
The lesson presumes that some previous learning has taken place on what language, form and structure mean, and that students have a good level of understanding of what questions they should ask of poems in order to explore them (e.g. when was it written? how might that influence language choices? is there a specific form? what relevance is the form? how is the poem’s narrative structured? Is there a clear structure? etc.)
Best wishes,
Englbee x
A high-level GCSE essay for those studying Much Ado about Nothing for AQA English Literature Paper 1
The resource offers an extract from Act 3 scene 2 with an AQA-style examination question on attitudes towards Hero.
There follows an essay which focuses on the question. The essay is written to a high-level for those aiming for grades 7-9 (although might help aspiring grade 6 also). The essay is around a side-and-a-half typed, meaning handwritten it would be about four sides (in keeping with high-level candidate expectations).
After the essay, there is discussion as to:
how the essay’s approach fits AQA’s ‘extract to whole’ further insight booklet on GCSE English Literature
how the essay hits AO1, AO2 and AO3.
how the essay covers higher band criteria
The resource is fully-adapatable for you to change as needed for your OWN classroom use.
Best wishes,
Englbee x
A high-level GCSE essay for those studying Much Ado about Nothing for AQA English Literature Paper 1
The resource offers an extract from Act 2 scene 2 with an AQA-style examination question on attitudes towards Deception
There follows an essay which focuses on the question. The essay is written to a high-level for those aiming for grades 7-9 (although might help aspiring grade 6 also). The essay is around a side-and-a-half typed, meaning handwritten it would be about four sides (in keeping with high-level candidate expectations).
After the essay, there is discussion as to:
how the essay’s approach fits AQA’s ‘extract to whole’ further insight booklet on GCSE English Literature
how the essay hits AO1, AO2 and AO3.
how the essay covers higher band criteria
The resource is fully-adapatable for you to change as needed for your OWN classroom use.
Best wishes,
Englbee x
A character revision poster of Lady Macduff with key quotations on the following themes: Masculinity/Femininity; Appearance and Reality; Children; Guilt; Kingship; Fate, Free Will and Ambition.
Quotations are not definitive, but offer a simple way for students to link quotations and theme for revision purposes. Act, scene and line are also given. Would be useful printed onto A3 for classroom revision or A4 for home revision.
Bundle of all eight Macbeth character posters found
https://www.tes.com/teaching-resource/macbeth-revision-posters-12070022
Original illustrations by mancsunshine (copyright)
Best wishes,
Englbee x
10 AQA Writing to Describe GCSE English Language Question 5 Writing Tasks with both a descriptive and a narrative question for all pictures. Variety of pictures included.
Could also be used with KS3 or any creative writing class despite being specifically designed for the new AQA English Language GCSE.
Best wishes,
Englbee x
This bundle contains two PowerPoints, one focusing upon the dramatic comedy genre, and the other the dramatic tragedy genre.
Both PowerPoints follow a similar format:
*students are introduced to the terms ‘comedy’ or ‘tragedy’
*critical interpretations
*revision of dramatic method
*paired exploration of genre-specific method
*a didactic commentary of characterisation
language and structure
Best wishes,
Englbee
Six PowerPoint exploring Act 3 ‘Macbeth’ for mid-high level GCSE Engish Literature classes.
The PowerPoint contains exploration of themes: Children; Appearance and Reality; Kingship; Gender & Identity; and Ambition, Fate & Freewill
Genre, Shakespeare’s Method and Context are also explored.
The teacher can choose to focus on some, or all of the slides, as the class requires.
Underneath most slides are teacher notes to aid with class teaching.
Best wishes,
Englbee x
Four PowerPoints exploring Act 2 of ‘Macbeth’ for mid-high level GCSE Engish Literature classes.
The PowerPoints contains exploration of themes: Kingship; Ambition, Fate & Freewill; Appearance and Reality; Gender & Identity; and Children
Genre, Shakespeare’s Method and Context are also explored.
The teacher can choose to focus on some, or all of the slides, as the class requires.
Underneath most slides are teacher notes to aid with class teaching.
Best wishes,
Englbee x
A fully-adaptable PowerPoint for the end of Act Two on Mrs Birling’s involvement with Eva Smith and her condemnation of Eric. Suitable for mid-high GCSE Literature groups
Slides include:
LOs and Outcomes
A prompt slide with focus questions whilst reading pp40-49 (end of Act 2)
Questions to explore Mrs Birling’s class prejudice with example ideas in the teacher notes below
An exploration of Mrs Birling’s first name -Sybil - and its links to blindness
A tension graph (blank) for students to complete if the teacher wishes with the language of the Inspector and Mrs Birling towards the end of Act 2
A completed tension graph
A written response to explore Priestley’s method at the end of Act 2 including a focus on the use of narrative gaps and structure
A plenary task to reflect on learning regarding context, language and structure from the day’s lesson.
Best wishes,
Englbee x
A high-level revision sheet (PDF) of Andrew Waterhouse’s ‘Climbing my Grandfather’ for students aiming for levels, 6-9 in the new GCSE Literature Paper 2
The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method.
Ideas are written in a brief format rather than being too text/colour heavy to aid key learning and memory
The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades.
There are suggested links to ‘Before You Were Mine’ and evaluative questions to consider in a potential essay conclusion.
The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory.
Best wishes,
Englbee x